What is more Important: Bible Study or Prayer?

According to Donald Whitney in Spiritual Disciplines for the Christian Life, “No Spiritual Discipline is more important than the intake of God’s Word.”

Put in context of his writing, Whitney asserts that reading the Bible is the most important spiritual discipline for Christians.  I have some other ideas–namely, that prayer is the most important discipline.  Its important to read about God in the Bible and to learn from God’s Word, but is that more important than talking to God directly?

What do you think?

Comment below!

 

Is Honesty the Best Preaching Policy?

man writing in front of booksBy Joe LaGuardia

They say that, in writing, honesty is the best policy.  Stephen King advises in On Writing that writing is best when it tells the truth.  In Right to Write, Julia Cameron has an entire chapter on honesty and its merits in writing.  Creative writing coaches will tell you, if it ain’t the truth, it ain’t worth putting on the page.  Honesty has sold millions of books and millions of dollars in movie sales.

Yet, in preaching every week, I wonder whether honesty has a place in the pulpit.  I am not saying that we preachers lie or manipulate our congregations, but honesty implies that you, rather than the God about whom we testify and the scripture that we seek to exegete, takes center stage in the preaching event.

Some say that personal stories have no place in sermons.  They distract from the doctrines we need to teach.  Others say that the only godly way to preach is by expository preaching, which leaves neither room nor time for personal exploration.  So where does honesty have a place  in the pulpit?

I come from a school of theology (as many Baptists do) that makes room for what is called narrative preaching.  Narrative preaching, popularized by the likes of Fred Craddock and John Claypool, not only focuses on scripture for  the sermon, but does so in narrative and story-form.  Since we live the story of the Gospel in real time and in real situations, than real life–in all its beauty and ugliness–have a place in the sermon.

Some narrative preachers tell stories and preach so well, in fact, that the congregation forgets they’re preaching in the first place.  The sermons are like good movies–the moment you forget you’re watching a movie, the director and actors of the movie has moved you into the best that cinema has to offer.

Narrative preaching (and, in Claypool’s methodology, “confessional preaching”) places the preacher squarely in the center of the story.  It is disingenuous (as the notion goes) to say that the preacher can “stay out” of the sermon–we bring all of who we are — our personality, life, experiences, and struggles — to bear on the text, so to think that we can somehow not make it personal is the least honest thing we can do.

In reading Julia Cameron’s chapter on “honesty” recently, I got to thinking about the place of honesty and storytelling in the preaching event.  I find my home squarely in the narrative preaching tradition.  I cannot do expository preaching (I’ve tried, with great failure).  I cannot do outline preaching (precept upon precept)–I bore myself to death.  I do not consider myself a teacher of scripture–that’s for Sunday School.

I am a preacher who stands in the tradition of a Lord who told stories in order to help people experience the Kingdom of God.  Jesus never preached in expository style–he didn’t teach about God; he helped people meet God.

But that doesn’t mean I am required to be honest, at least not in the way that creative writers mean it.  Let me explain.

In writing, honesty implies that you reveal your deepest conflict or assumptions about life.  It is a type of writing that values memoir over embellishment.  We write from the inside out because people do not deserve deceit or fanciful exaggeration.  We write what we see, and life does not need help in communicating something true and valuable.

In preaching, however, storytelling still does not create an ecosystem in which the “I” takes precedence over the “Thou.”  We are still not at the center of the story,  and telling the truth can be misconstrued as pushing an agenda more than bearing witness to what we–as the congregation–can learn together about being God’s beloved community.

We go to church and experience all of worship (not just the sermon, only a fraction of what worship is supposed to be about–those long sermon times are for another column!) because we come to together to experience God and bear witness to how God has redeemed us and is ever redeeming us.

We preachers need to be honest in our shortcomings.  We mustn’t pretend to have all the answers or go out of our way to convince the congregation that they need to think like we do.  We need to be honest about those areas of scripture with which we wrestle–and explain why they are difficult–not provide cliches that gloss over a Word that is beyond us and still contains deep mysteries that we will never really know about, completely at least.

We must be honest by acknowledging that we are not all that great of people, and that we’re like everyone else aside from our vocation as professional expositors of the text.  Instead, we must be humble by keeping our sermons concise and focused rather than allowing pride to prove to others how verbose we are.  Our vocation as preachers is one of function, not of elevated spiritual divinity over others who work in and on behalf of Christ’s church.

Every week, I wrestle with this idea.  I take great pains not to let myself (or my family or my situations past or present) get in the way of the Gospel message.  I use personal anecdotes at times to illustrate or accentuate a point, but it is not the destination of the sermon.  These stories, like other methods of storytelling, are merely resources to help others experience God.  Being honest is valuable, but its not the point.  No one comes to church to hear about me.  Honesty is a policy, but its not always the best way to communicate God’s Word.

 

A Reading Life (prt. 17): Old Words with New Hope

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By Joe LaGuardia

I started collecting vintage religious books some time ago. These books, primarily on preaching or prayer, have become treasures and sources of encouragement. They have also become a way to go “treasure hunting” in used book and thrift stores. (Its exciting to have a niche collection.)

There is something about the artistry of language and the writing in books of yore we don’t get today. Contemporary writing comes to us by concise, brief sentences. When I was writing my book on the Old Testament, I tried to mimic this style of writing–people claim its Hemingwayesque– and, besides, people want fast reads.

People don’t spend time on books anymore, they say, so if an author can’t move readers through the page fast enough, they will likely put the book down. If the language is too lofty or esoteric, you threaten to leave people behind. Few people remember their SAT words from high school, so its not wise to use words with too many syllables.

Concise writing is, I think, collateral damage created by our short-form world in which we publish 140-character Tweets or social media “posts”. Even blogs have to be short, sweet, and to the point. Yet I am reminded that good writing will always be good writing, regardless of the style, and I am deeply aware of that. However, venture into most Christian books stores–or peruse the Christian section of your local book store–and you will find that concise writing has translated into shallow content.

It’s regretful just how cliche our writing sounds these days, and even facts are scrutinized by readers. We teeter on the edge of becoming an idiocracy our comedians envisioned for us so long ago.

I went into a Lifeway book store three times in the past year–and I could not find anything that spoke to me. The books have captivating covers and catchy titles; but, get into the writing, and it comes off as grade-school reading. Even the “scholarly books” sound like amateur-hour Sunday school lessons.

Pick up a book from the mid to early 20th century, however–say, those by Dietrich Bonhoeffer, Paul Scherer, or Glenn Clark– and they sparkle with jewels of writing and content. My friend, who gained the same sentiment over a year ago, reads Leslie Weatherhead and Norval Pease, writers of several devotionals from that era. I have read Old Testament textbooks from the 1960s, including one by Rabbi Solomon Freehof. Last week I finished a memoir from Somerset Maugham on his travels through southeast Asia published around 1935. It wasn’t religious, but it certainly didn’t insult the intelligence!

Commentaries, though dated, also contain writing that is rich and moving. I regularly refer to the original Interpreter’s Bible set for sermon prep, especially if I lack inspiration on any given week. The Broadman Bible Commentary still stands as a Baptist classic. I have used F. B. Meyer’s Our Daily Homily, published in 1966, as my devotional of choice on a daily basis and occasional reference for sermons.

Just this morning, I read this moving insight by Meyer:

“When Jesus subjects us to a trial, it is only because, amid all our dross, his keen eye detects the precious gold which cost Him Calvary, and is capable of becoming his ornament of beauty forever.”

Books on prayer also ring true with warmth and majesty. Although not the most theologically acute of religious authors, Glenn Clark has been a writer I’ve read recently, thanks to a trove of Clark books bequeathed to us from one of our beloved “church mothers”.

Check out this whopper of a paragraph by Glenn Clark on prayer:

“As all the seven seas are stirred to fill the little well that the child has dug in the seashore sand, so all heaven is stirred from its heights to its depths to fill the heart that truly hungers after God. Christ, whose great heart seeks and hungers for us, even more than our hearts hunger for Him, permits neither principalities nor powers, nor things present nor things to come, nor height nor depth, nor any other creature, to separate us from the most tender, the most virile, the most irresistible expression of the love of God, that man has ever known” (I Will lift Up Mine Eyes).

Who writes like that anymore?

I can only think of a handful of writers who can get close, and I’m sure you have your contemporary favorites as well. But I don’t think its solely the strength of the content that moves us. It is the writing, and in our sound-byte world in which children no longer learn penmanship and long-hand, and where we don’t have the patience or persistence to demand better writing, something has been lost along the way.