Hymnody and Liturgy, the undercurrents of Christ’s Church

By Joe LaGuardia
Did you know that the pulpit in the sanctuary of First Baptist Church of Vero Beach is not the original pulpit?  That pulpit is in storage.  When I first came to First Baptist, the “powers that be” gave me a choice between three pulpits: the one in the sanctuary, the original one, and the one my predecessor used in the contemporary service, a plexiglass podium-style pulpit.
I got a good look at the original pulpit, and I was overwhelmed by the sheer size of the thing.  Built in 1962, it is three-times as wide as the current one, and a bit higher.  I joke that I can’t see over it; and, if I were to use it, I’d feel like I was lording over the congregation.  It is regal, however, and communicates the majesty of our church’s legacy and the architecture.
The plexiglass pulpit is in our Family Life Center, and we use it for Bible studies and other events.  It communicates a teaching-style of preaching.  That would not work for me (in the sanctuary, that is), and it is too informal for my own preaching style.
The one they had in the sanctuary–the one we currently use–is just right!  It is heavy enough to communicate the weight of the authority of scripture and of our preaching heritage, but it is light enough to move off the stage when we have special events.  It matches the rest of the sanctuary, and I can easily move around it when I preach and want to “connect” with the congregation.  It is an easy pulpit to stand in and to stand beside.  I can see over it, too.  That helps.
The Old-Fashioned Hymn Sing we hosted at church last Sunday reminded me, however, that with all of the pulpits and preachers that pass through churches over the years, it is liturgy–the worship of the people and the hymnody–that sustains churches over the years.  Preaching styles and pulpits come and go, but the Word of the Lord  grounds us, worship unites us, and the Lord strengthens and provides for us.
Singing the hymns last Sunday allowed this feeling of continuity to rise in my heart.  For all that makes us unique and diverse, it is our worship that makes us one Body in Christ.  And for that I am grateful, and for that I can celebrate and know that this God whom we serve has lifted us up and has carried us “through the ages” (Isaiah 63:9).
We don’t sing to be nostalgic, we sing to bring glory and honor to God’s name.  We don’t sing because it makes us feel good (though that happens!), but to declare the mighty works of the Lord and to praise Jesus for being our Lord and Savior.

Coloring Books in Cutting Edge Adult Spirituality

colorBy Joe LaGuardia

Every Wednesday at Trinity, an intergenerational group uses the church’s art studio at the church to paint, sketch, play card games, and fellowship.  I visit every now and then, sometimes joining in the fun or crafting a bulletin for a special service.

One time, however, I was caught off guard.  When I arrived, I did not see anyone painting or drawing or talking.  Rather, people were coloring pre-printed pages from a coloring book.  These were no mere children, and the pages were not from a coloring book intended for young audiences.

The coloring pages consisted of elaborate designs and wildflowers.  One lady–an octogenarian whose original artwork adorns Trinity’s hallways–was coloring one such page of a floral design.

I always enjoyed coloring with my children, and the fresh smell of new crayons and feel of a new coloring book always brings back childhood memories.  This, however, was a craft entirely intended for adults.  It was more than art or recreation, the group colored for the sake of worship.

Trinity is not alone in offering this type of artwork; in fact, several articles published in the last year–one from Baptist News Global and another from Religion News Service–outline a new movement in creative churches that utilize coloring books in its liturgy and special services.

Leslie Miller quoted well-known Episcopal priest, author, and spiritual director Lauren Winner in Winner’s declaration that coloring (or, “prayer by color”) has been a significant spiritual discipline in her life.

The medical community is finding the act of coloring to have both spiritual and therapeutic benefits. Cathy Malchiodi, writing for Psychology Today, claims that coloring is reminiscent of the Tibetan practice of mandala art and ancient disciplines that incorporate the fine arts, liturgical movement, meditation, and centering prayer.

It taps into a basic spiritual longing that connects people across cultures and time–from those who value iconography in the Christian cathedrals to our earliest ancestors who drew crude sketches in the caves of France and Africa concerning battles against the elements and wild beasts.

The discipline of coloring also crosses generational lines.   Ministries similar to Trinity’s provide safe spaces for older members and children of a church alike to express themselves without fear of “staying in the lines” that make too many worship services formal.  (How many of us spent time doodling on tithe envelopes in the pews during service as kids anyway?)

Coloring benefits older saints by improving concentration, decreasing anxiety, and mimicking the effects of meditation, according to Priscilla Frank writing for the Huffington Post.  It benefits children in helping them feel included in an otherwise esoteric service largely intended for adult audiences.

As anything else in the Christian community, coloring will have its critics.  Controversy surrounding the place of fine arts in church is nothing new for Christians; and, like the iconoclasts of yesteryear, many will claim that coloring strange patterns in general and mandalas in particular will have an adverse–even satanic–impact on the Christian mind.

For others, it will invoke adolescence and will be too juvenile to incorporate into any “serious” worship service in which the soul should focus on God, the heart on worship, and the ear on the proclamation of God’s Word.

My guess is that the groups who utilize coloring as a way of prayer and worship will be in the minority, but will greatly benefit from it.  And for churches searching for creative ways to engage young and old alike, it may provide an activity that brings people together, opens up informal times for the sharing of testimonies, and affirms churches as adventurous, artistic sacred spaces in local communities where resources for art have all but dried up.

At Trinity, my hope is that the arts will continue to play a central role in the life of the congregation, not to detract from the traditional worship experiences for which the church is known, but to broaden the mission and ministry of a God who is our Creator creating still.

Bergamot promotes health, peace, and patience

WILD BERGAMOT Monarda fistulosa

Monarda fistulosa

By Orrin Morris

There are four Sundays in the Advent season. The first Sunday, last week, focused on hope.

The Old Testament prophet Jeremiah wrote words of hope to the Hebrew’s exiled in Babylon:

In those days, and at that time, will cause the Branch of righteousness to grow up unto David; and he shall execute judgment and righteousness in the land” (Jer. 33:15).

Amid the hopelessness of exile, the prophecy assured them that the Messiah of the lineage of David would come to save all who trusted in him.

This Sunday, the second of the Advent season, focuses on peace. John the Baptist’s father was visited by an angel assuring him of a son who would proclaim the coming of the Messiah with these words, “To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace” (Luke 1:79).

The wildflower for today is not very common, so to find it and benefit from its beauty requires patience. In the same but more serious manner, those Hebrews that remember the exile of 600 years that passed from Jeremiah’s prophecy had to be patient for the fulfillment of his proclamation of peace.

Wild bergamot is also known as Monarda and, for obvious reasons, often mistaken for bee balm. Both plants are present throughout the U.S. Both plants have thin, rigid, hairy stems. Both have serrated leaves of similar size and shape. Both have deep green leaves that are affixed as pairs opposite one another up a stem that may be 2 to 3 feet tall. Both have flower heads composed of two-lipped blooms that stand aright.

The flowers of both plants’ colors are in the reddish range; however, the bee balm blooms are bright red while the bergamot blooms range from light pink (nearly white) to a pinkish-lavender.

The bergamot prefers dry sandy soils while the bee balm requires moist soil. The greenish bracts under the flower head flare out and downward for the bergamot, thus creating a cluttered and enlarged effect. The bergamot has a rectangular stem, and starts blooming in June and continues through September.

This part of the mint family was named after Nicholas Monardes, a Spanish physician who published a book on the medicinal values of plants in the New World. Wild bergamot was also called Oswego tea and used as a treatment for chills and fevers. Other American Indian tribes used tea from the leaves for headaches, sore throat, bronchial infection, acne and to soothe bug bites.

Rev. Orrin Morris is an artist and retired Baptist minister.  His weekly column appears in The Rockdale Citizen.